\nGraham Parker &\; Brinsley Schwartz

\n $Graham Parker &\; Brinsley Schwartz$ 5-5-2017\n\n

Graham Parker \;has worked with guitarist \;Brinsley Schwarz \;since 1975 when they first met and rehearsed together in a band that became known as \;Graham Parker and The Rumour. Since then\, Schwarz has often accompanied Parker on post-Rumour records and tours and recently joined him onstage as a duo playing songs from all areas of Parker&rsquo\;s career. Expect songs from early albums with the Rumour\, his solo career and the present day with tunes from the two latest Rumour reunion albums\, &ldquo\;Three Chords Good&rdquo\; and &ldquo\;Mystery Glue.&rdquo\;

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In Spain\, Norway and the UK\, where a recent triumphant tour ended in a sold out Union Chapel show to 900 enthusiastic fans\, the music the duo performed was varied\, creative and exciting in equal measure\, along with a relaxed atmosphere and plenty of humor from Parker as &ndash\; with the aid of Brinsley&rsquo\;s virtuoso musicianship &ndash\; he reinvents his prodigious catalog.

\nStereotyped early in his career as the quintessential angry young man\, Graham Parker was one of the most successful singer/songwriters to emerge from England'\;s pub rock scene of the early '\;70s. Formed in the summer of 1975\, GP and The Rumour released their first album\, "\;Howlin'\; Wind\,"\; in 1976 to worldwide critical acclaim. Their second album\, "\;Heat Treatment\,"\; followed six months later\, garnering similar critical reaction and propelled Parker to international recognition.
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\nDrawing from Van Morrison and The Rolling Stones\, Parker developed a sinewy fusion of driving rock &\; roll and confessional folk-rock\, highlighted by his indignant passion\, biting sarcasm\, and bristling anger. At the outset of his career\, his albums crackled with pub rock energy\, snide witticisms\, and gentle insights\, earning him a devoted following of fans and critics. Mainstream radio hits like \,"\;Local Girls"\; \;and \;"\;Passion is no Ordinary Word"\;\, brought him an even wider audience. The bands'\; classic 1979 release\, "\;Squeezing Out Sparks\,"\; cemented their position as one of Britain'\;s top live acts and ensured sell out concerts on their seemingly endless world tours. His 2007 album\, \;"\;Don'\;t Tell Columbus"\;\, was hailed by critics as his best album since "\;Squeezing Out Sparks"\;. He continues to write songs of struggle\, compassion\, and defiance. Like many of his peers\, Graham has adapted to the instability of the music industry by working with independent labels.
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